Should you work for free?

Working for free is something that comes up often when you are beginning your career. There are mixed answers to this question on the internet. My answer is: "it depends". It depends who is offering the job, and what they will be doing with the artwork. If the person offering the job is someone anonymous on Craigslist and is offering you exposure as "payment", I would say no to these jobs. They don't really care about you or your artwork and are just looking for free work. If the person offering the job is an art director at an already established magazine, for example, Discorder, this is a little more credible and you can accept these jobs if you are looking for experience working with an art director. These kind of jobs will also result in portfolio pieces for you. If a friend wants you to do free work, I think this is a personal decision you have to make. Basically I think you need to ask yourself some questions:

Is the project interesting?
Will you get a portfolio piece out of it?
What kind of exposure do you get?
Will it be good experience (i.e.: working with an art director)?

My first magazine illustration gig was with Discorder, a local Vancouver magazine. It didn't pay, but I got some portfolio pieces out of it. I also learned how to work with an art director, and how to work within certain restrictions (i.e.: black and white, spot illustrations). I also learned how to work under a  deadline. Working on a real life deadline is different than working under soft deadlines in school. There were no real consequences if you didn't get the work done on time. For me, those first non-paying jobs were worth it. Paying work followed, and I had more confidence going into those jobs knowing I had some experience already.

life drawing

A couple sketches from Dr Sketchy life drawing this week. Theme was Twin Peaks.

Gary Taxali

This week I am featuring an illustrator that is current: Gary Taxali.

Gary Taxali is an award winning illustrator based out of Toronto, Canada. He graduated from Ontario College of Art & Design. He has exhibited in numerous galleries and is also known for his illustration work and 3D work such as toy design. Taxali's style is retro and reminiscent of the 1930s. His work is often humorous and is quite whimsical. He begins his pieces by doing ink drawings and prints his illustrations onto found papers. In addition to his gallery and illustration work, Taxali also teaches at various schools around the world.

http://www.garytaxali.com/

Coles Phillips

Here is another one of my favorite historical illustrators. I like Coles Phillips work because he has a designer-ly approach to his illustrations.

Coles Phillips was an American artist and illustrator born in Springfield, Ohio. He studied at Kenyon College and the Chase School of Art. In 1907 he met with the publisher of Life magazine, and was hired on to the staff. Phillips is well known for developing the "fadeaway girl", where the figure disappears into the background, and the viewer uses closure to complete the image. He uses negative space to allow the viewer to fill in the image. Phillips worked in water-colour and painted from life to create his illustrations.

Rockwell Kent

Rockwell Kent is one of my favourite historical illustrators; here is a short bio on him.

Rockwell Kent was an American printmaker and illustrator born in 1882, and died in 1971. He was born in Tarrytown, New York. Kent studied with several painters, such as Arthur Wesley Dow and William Merritt Chase. He also studied at the New York School of Art. Kent painted in addition to his illustration work. He did a series of paintings from a trip to Alaska in 1918; producing a memoir titled "Wilderness." He is well known for his illustrations of Moby Dick, published in 1930. Moby Dick contains black and white pen and ink drawings by Kent. It was very successful and sold out; Random House produced a trade edition. Kent illustrated many books over his career, including Beowulf, Leaves of Grass by Walt Whitman, and Faust by Goethe. He also designed murals, including one for the United States Post Office in Washington, DC. Kent worked in woodcut and lithography, as well as pen and ink. His drawings have a graphic look to them with large bold areas of black. He uses repeated small marks to describe backgrounds. Kent's signature style uses high contrasts of black and white.

Source: https://en.wikipedia.org/wiki/Rockwell_Kent

Merry Christmas!

My Christmas card design for this year. Re-used some previously done lino-cuts from other projects.

Dr Sketchy drawings

Here are some life drawings I did at Dr Sketchy this past month. The ones shown are longer poses - 10 to 15 minutes.