and then there were dinosaurs.

Final massive etching project that consumed all my time for the past two weeks. But it was worth it. :)

The project was to build an image, like we normally do. This was all done on the same plate, so this first image no longer exists. :(

etching (aquatint)

Second step was to destroy it. This was the fun part, because if whatever you were trying to do didn't work out, it didn't matter. The goal was to make a mess and obliterate your image. I could have done more obliterating, but I was running out of time. Stupid deadlines.

etching

Third step was to take your destroyed plate and build up another image. I wasn't expecting so much of my original image to show through, so I just added to the image. I really like the layering effect though. Very cool. I also like how the dinosaurs look like they're fading away.

etching

Some process photos:

Working on the first step of building up an image. Slowly covering up more and more of the drawing as I put the plate in the acid bath so I get a variation of greys. In photo-language, the exposed copper gets more "burning" time. Print-language, it gets more etching time. For some reason when I'm in the etching part of the process, I think of it like a photo darkroom. Not sure why.

Inking and wiping the plate. This can be a physical process, depending how big the plate is. I'm sure my plate is tiny compared to "real world" plate sizes, but my arm was getting sore. Or maybe I'm a wimp.

All those dirty cloths you see at the top of the photo are what we use to wipe the ink off of the plate. This is one of the messier parts of the whole process.

Plate ready to print. The ink stays in all the little "grooves" that have been etched into the plate.

how iguanafish came to be.

digital (Illustrator & Photoshop)

This is my final Digital Illustration project. A four panel storyboard of an existing story or one we made up. Mine is the latter, obviously. :)

Again, I wanted to find out more about this creature I drew, so I thought - origin story! Pretty simple little story, but it's my first sequential art since foundation year.

I've been having fun practicing inking in Illustrator. Getting to know the "width" tool a little better.

art on transit

This is one of my submissions for the Art on Transit program that Translink is doing. Translink is the Vancouver bus system. Character looks familiar, yes? I liked my initial drawing, and wanted to expand it and find out more about this creature. I tried a few different tails (shark tail, dolphin tail, etc.) but settled on more of a lizard-ish tail.

digital (Illustrator and little bit Photoshop)

Expanded pencil sketch/drawing.

Screen shots of in-process work. I initially jumped right into color, and then proceeded to confuse myself. So I went back to straight black and white to try to wrestle out the values.

In-process changing the greyscale to color.

Whole finished guy. Overall pretty happy with it.

digital (Illustrator)

I Guan A Fish.

Aquatint etching project. Had fun with this one. :)

Aquatint is not really what I thought it was, but I like it because it introduces tone to the etching process. I thought it would be like a painterly or watery effect ("aqua"-tint). But nope, modern aquatint is spraying the copper plate with spray paint. Maybe I will look up the origins of "aquatint"... must have originally had something to do with water, right?

etching (aquatint & soft ground)

I remembered to take process pics this time. This is the copper plate part-way through the etching process. Aquatint is done at this point, but the background is blank.

Getting the plate ready to put into the acid bath. The background of the print is done with soft ground. I applied the ground, then put saran wrap on my plate and ran it thru the press, so the texture is imprinted into the ground. All the shiny lines that you see is the exposed copper. That is what will etch. The black-ish stuff covering the fish image is hard ground. All of the "grounds" are acid-resistant, so anything I covered with the hard ground (the fish) is protected from the acid when I put the plate in the acid bath. So only the background part of the plate will etch.

I don't know if any of that made sense. It's kinda hard to understand until you see a demonstration. I didn't even understand aquatint the first time around with a demo. :)

Sketch/drawing that I did for fun, and am now using for three projects! hooray! Sort-of less work, but not really! :)

DECK.

It's that time of year again! DECK show time. :)

I'm a little late for promo-ing the opening (it was on saturday night), but if you are in Vancouver, you can check out the show (and possibly buy a board if you're so inclined).

DECK is on till January, so it's up for a while yet.

at The Fall gallery and tattooing: 644 Seymour Street.

acrylic on skateboard

I just slightly tweaked my board from last year. Too many things to do, not enough time. :)

vfs.

Went to the VFS life drawing on the weekend. Good times. The model was really good, but alas, the longest poses they did were five minutes. Too short for my slow drawing. But, we did warm-up (30 sec. poses) for at least 30 minutes, which was nice. I think I need that loosening up time. Need to remember to do that when I work on school projects....










All drawings done with pencil or graphite (woodless pencil).

package party.

Phew! Packaging is finally done for the student art sale! That took way longer than I thought it would. Oh well, better than working on an essay. :)

If you are in the Vancouver area this weekend - Emily Carr University is having a Student Art Sale! Friday, Saturday and Sunday (Nov. 4th-6th).